Most of the stories relating to Robin Hood are largely apocryphal, verging on the mythological. He allegedly was deprived of his lands by the villainous [Sheriff of Nottingham]? and became an outlaw?. He took up residence in the verdant Sherwood Forest where he assembled a band of co-workers, his "Merry Men": Alan-a-Dale?, [Friar Tuck]?, [Will Scarlet]?, [Much the Miller]? and [Little John]? who was called little because he wasn't. The female interest was provided by one [Maid Marian]?, who gladly gave up her life of bourgeois comfort for a life in the great outdoors and love.
Many a tale is told of how Robin bested the Sheriff, fighting his way manfully out of the Sheriff's traps (usually conveniently signposted: Trap -> this way...), robbing rich abbots on their way to pay off the wicked [King John]? (who was quite happy for the rightful king, his brother, [Richard the Lionheart]?, to rot in Saladin's dismal dungeons while he grew fat and prospered).
A television series was made in the 1950s of Robin's exploits; [Eroll Flynn]? has portrayed him on the silver screen, and a New Age interpretation appeared in the 1980s, again on television. The most notable recent stab at Robin Hood, was the blockbuster movie, [Robin Hood, Prince of Thieves]? starring [Kevin Costner]? as our man in green.
Perhaps one of the more interesting takes on the Robin Hood mythos was by Mel Brooks in his satire on Mr Costner's epic, [Robin Hood, Men in Tights]?.