|
Peckinpah's violent films had many fans, and not only among the public but fans such as Pauline Kael who reviewed films in bravura style for the New Yorker magazine. His films were visually inventive. What disturbed Peckinpah's critics was not only how much blood and gore was spilled in his movies, but how often violence was cast as a redeeming action, bringing closure to its perpetrators and a brand of rough justice to its victims. |
![[Home]](wikipedia.png)