[Home]History of Marina Tsvetaeva

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Revision 13 . . November 24, 2001 4:26 am by Sjc
Revision 12 . . November 24, 2001 4:23 am by Sjc
Revision 11 . . (edit) November 9, 2001 5:56 am by Tsja [some wikifying]
  

Difference (from prior major revision) (author diff)

Changed: 69,72c69,72
''Scattered in bookstores, greyed by dust and time,
Unseen, unsought, unopened, and unsold,
My poems will be savored as are rarest wines -
When they are old. ''
''Scattered in bookstores, greyed by dust and time,
Unseen, unsought, unopened, and unsold,
My poems will be savored as are rarest wines -
When they are old. ''

Changed: 74c74,76
Conversely, her poetry was much admired by poets of the rank of Valery Bryusov, Maksimilian Voloshin, Osip Mandelshtam. Boris Pasternak, Rainer Maria Rilke, and Anna Akhmatova. Today, that recognition is sustained by the poet [Joseph Brodsky]?, pre-eminent among Tsvetaeva's champions. Tsvetaeva is primarily a poet-lyricist, since her lyrical voice remains markedly audible in her narrative poetry. Her lyric poems fill ten collections; the uncollected lyrics would add at least another volume. Her first two collections indicate their subject matter in their titles: Evening Album (Vechernii al'bom, 1910) and The Magic Lantern (Volshebnyi fonar', 1912). The poems are vignettes of a tranquil childhood and youth in a professorial, middle-class home in Moscow, and display considerable grasp of the formal elements of style.
Conversely, her poetry was much admired by poets such as [Valery Bryusov]?, [Maksimilian Voloshin]?, [Osip Mandelstam]?, Boris Pasternak, Rainer Maria Rilke, and [Anna Akhmatova]?. Today, that recognition is sustained by the poet [Joseph Brodsky]?, pre-eminent among Tsvetaeva's champions. Tsvetaeva is primarily a poet-lyricist, since her lyrical voice remains clearly audible in her narrative poetry.

Her lyric poems fill ten collections; the uncollected lyrics would add at least another volume. Her first two collections indicate their subject matter in their titles: Evening Album (Vechernii al'bom, 1910) and The Magic Lantern (Volshebnyi fonar', 1912). The poems are vignettes of a tranquil childhood and youth in a professorial, middle-class home in Moscow, and display considerable grasp of the formal elements of style.

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