[Home]History of Frequency modulation synthesis

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Revision 5 . . December 15, 2001 5:48 pm by (logged).253.39.xxx [added inventor credit, approx date, citation]
Revision 4 . . (edit) December 15, 2001 5:38 pm by (logged).253.39.xxx [s/s/z/]
Revision 3 . . December 15, 2001 5:37 pm by (logged).253.39.xxx [added link to mag article]
Revision 2 . . December 1, 2001 9:17 pm by The Anome [Added external link (tech intro to FM synth)]
Revision 1 . . December 1, 2001 9:05 pm by The Anome [Created new entry]
  

Difference (from prior major revision) (author diff)

Changed: 3c3,5
Often, the modulating signal has a harmonic relationship to the original signal. As the amount of FM modulation increases, the sound grows progressively more complex.
Often, the modulating signal has a harmonic relationship to the original signal. As the amount of FM modulation increases, the sound grows progressively more complex.

The technique was invented by John Chowning at Stanford University in the early 1970s, and later licensed to Yamaha.

Added: 10a13,16
Reference:
J. Chowning, "The Synthesis of Complex Audio Spectra by Means of Frequency Modulation," Journal of the Audio Engineering Society 21(7), 1973



Added: 12a19
* [FM tutorial]

Added: 13a21
* [some Chowning paper citations]

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