[Home]History of Freestyle music

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Revision 12 . . (edit) December 17, 2001 10:24 pm by Hannes Hirzel
Revision 11 . . (edit) June 19, 2001 11:12 am by KoyaanisQatsi
Revision 8 . . May 28, 2001 5:21 am by Wathiik
  

Difference (from prior major revision) (minor diff, author diff)

Changed: 1c1
People like Afrika Bambaataa, producers John Robie and Arthur Baker started to mix rap with funky yet electronical sounds. Before that, hip hop was basically rather traditional musically, based on funk and disco tracks like "Good Times" by Chic ? it was only the power of the rapping ? like all African American music of West African descent ? that made most rap tracks different from their disco forebears. The music of early rap records was performed LIVE in the studio and then mixed with the rapping, whereas LIVE hip hop was two turntables and a microphone ? with DJs such as Kool DJ Herc, Bambaataa and Grandmaster Flash. Herc was a Jamaican, and in the beginning he brought the Jamaican tradition of dee jaying (toasting) and mixing to the Bronx, NY. In the end, Jamaican and African American traditions merged into the new music called hip hop.
People like Afrika Bambaataa, producers John Robie and Arthur Baker started to mix rap with funky yet electronical sounds. Before that, hip hop was basically rather traditional musically, based on funk and disco tracks like "Good Times" by Chic. It was only the power of the rapping, like all African American music of West African descent, that made most rap tracks different from their disco forebears. The music of early rap records was performed live in the studio and then mixed with the rapping, whereas live hip hop was two turntables and a microphone with DJs such as [Kool DJ Herc]?, Afrika Bambaataa and [Grandmaster Flash]?. Herc was a Jamaican, and in the beginning he brought the Jamaican tradition of dee jaying (toasting) and mixing to the Bronx, NY. In the end, Jamaican and African American traditions merged into the new music called hip hop.

Added: 2a3,4
"Planet Rock"

Herc first tried to make people listen to the reggae tracks from Jamaica but it didn't work. Then he started using funk and soul records, focussing on the instrumental breaks. The "Ultimate breaks and Beats" series includes tracks from "Mary Mary" to "Apache" which have been sampled many times and are still used today by hip hop DJs. Of course, this music was organic rather than electronic. But hip hop DJs discovered weird sounds from Europe such as Kraftwerk's "Numbers" and "Trans Europa Express". Back then, this music was called techno....

Changed: 4,11c6
"Planet Rock"

Herc first tried to make people listen to the reggae tracks from Jamaica ? but it didn't work. Then he started using funk and soul records, focussing on the instrumental breaks. Check out the "Ultimate breaks and Beats" series ?
It includes tracks from "Mary Mary" to "Apache", cuts which have been sampled many times and are still used today by hip hop DJs. Of course, this music was organic rather than electronic. But hip hop DJs discovered weird sounds from Europe such as Kraftwerk's "Numbers" and "Trans Europa Express". Back then, this music was called techno...
With Baker and Robie, Afrika Bambaataa mixed Kraftwerk with funkier sounds inspired by Captain Sky's Super Sperm and taking melodic elements from a rock version of Ennio Morricone's "The Mexican". The result: "Planet Rock" (1982) by Afrika Bambaataa and the Soul Sonic Force, a track that changed hip hop music.


Electro Funk
With Baker and Robie, Afrika Bambaataa mixed Kraftwerk with funkier sounds inspired by Captain Sky's Super Sperm and taking melodic elements from a rock version of Ennio Morricone's "The Mexican". The result: "Planet Rock" (1982) by Afrika Bambaataa and the Soul Sonic Force, a track that changed hip hop music.

Added: 13a9
Electro Funk


Changed: 16,17c12
Latin Hip Hop

Latin Hip Hop


Changed: 21,22c16
Freestyle ? the name

Freestyle the name


Changed: 25,32c19,20
Miami Freestyle

Not only electro was very popular in Miami, also freestyle was embraced with the southern Latin capital of the US. Pretty Tony aka Tony Butler actually first made electro, then bass and finally freestyle. He had a one man group called Freestyle and was the producer of freestyle singer Trinere.


Freestyle crossovers into mainstream

Although the producers were often Latinos, most singers were African American. Lisa Lisa was the first Latina singer, her band, Lisa Lisa and Cult Jam, was produced by Full Force who also made UTFO's music and even once worked together with James Brown. The music of Lisa Lisa and Cult Jam was less electro, more pop, and that was also probably the reason why groups such as Lisa Lisa and Cult Jam, TKA, Sweet Sensation and especially the Cover Girls were able to crossover into the pop market at the end of the 1980s. But soon thereafter, freestyle was no longer pop music: MC Hammer, New Kids on the Block and Milli Vanilli also had catchy tunes, certainly much more cheaper (and obvious) than the (also) often kitschy, but never tasteless sound of freestyle
Miami Freestyle

Not only electro was very popular in Miami, also freestyle was embraced with the southern Latin capital of the US. Pretty Tony aka Tony Butler actually first made electro, then bass and finally freestyle. He had a one man group called Freestyle and was the producer of freestyle singer Trinere.

Changed: 35c23,24
Back to the underground
Freestyle crossovers into mainstream

Although the producers were often Latinos, most singers were African American. Lisa Lisa was the first Latina singer, her band, Lisa Lisa and Cult Jam, was produced by Full Force who also made UTFO's music and even once worked together with James Brown. The music of Lisa Lisa and Cult Jam was less electro, more pop, and that was also probably the reason why groups such as Lisa Lisa and Cult Jam, TKA, Sweet Sensation and especially the Cover Girls were able to crossover into the pop market at the end of the 1980s. But soon thereafter, freestyle was no longer pop music: MC Hammer, New Kids on the Block and Milli Vanilli also had catchy tunes, certainly much more cheaper (and obvious) than the (also) often kitschy, but never tasteless sound of freestyle.

Removed: 37d25
At the end of the 90s, freestyle was underground again. Aficionad@s still bought freestyle records, and people like Lil Suzy, George Lamond, Johnny O and Angelique came to be stars ? even if only recognized by the fans of this music. But who knows, after the electro revival with Westbam and Music Instructor, the future may bring a commercial freestyle revival.

Added: 38a27,28
Back to the underground

At the end of the 90s, freestyle was underground again. Aficionad@s still bought freestyle records, and people like Lil Suzy, George Lamond, Johnny O and Angelique came to be stars--even if only recognized by the fans of this music. But who knows, after the electro revival with Westbam and Music Instructor, the future may bring a commercial freestyle revival.

Removed: 40d29
Gender

Changed: 42,43c31,32
As in other types of dance music, freestyle artists are often women who are singing tunes written by and produced by men. Of course there are exceptions: Stevie B produces his own records, George Lamond and Johnny O are also male singers. Of course, this kind of division of labour can also be found in other genres. And its roots are much older ? in Shakespeare's days, women had no voice, and in a way, this is still the case today.
Of course, it would be necessary to investigate whether women actually have no part in the writing and production of ? for example ? freestyle, but it often looks like that.
Gender

As in other types of dance music, freestyle artists are often women who are singing tunes written by and produced by men. Of course there are exceptions: Stevie B produces his own records, George Lamond and Johnny O are also male singers. Of course, this kind of division of labour can also be found in other genres. And its roots are much older in Shakespeare's days, women had no voice, and in a way, this is still the case today. Of course, it would be necessary to investigate whether women actually have no part in the writing and production of for example freestyle, but it often looks like that.

Changed: 45,50c34




What does "acutal" mean? (under "freesyle--the name") Is that a typo? Is it meant to be "actual"? I'm perplexed. --KoyaanisQatsi


Yeah, it's a typo. I wrote the article myself, but took over this part from a freestyle fanatic who defined his favourite style.... and he somehow wanted to keep freestyle apart from other musical styles that have less lyrics (e.g., house music, i guess) and styles that usually don't use singing (eg, hip hop). Nevertheless, "acutal" sounds like a great term... ha ha! Pity isn't it...
Wathiik
/Talk?

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