[Home]History of Viol da gamba

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Revision 6 . . (edit) November 21, 2001 7:22 pm by GregLindahl
Revision 5 . . (edit) November 21, 2001 7:21 pm by GregLindahl
Revision 4 . . (edit) November 21, 2001 4:05 pm by GregLindahl
Revision 3 . . (edit) November 21, 2001 4:05 pm by GregLindahl
Revision 2 . . November 21, 2001 4:02 pm by GregLindahl [replaced with a much more factual entry. the comment about "music for the gamba tends to have multiple melody lines" is inane because most 16th century music is that way.]
Revision 1 . . October 22, 2001 11:55 pm by (logged).146.101.xxx [Minimal entry]
  

Difference (from prior major revision) (minor diff)

Changed: 1c1,5
This instrument is very similar to the violin. The most obvious difference is in the way the bow is held. Instead of holding it with the palm facing downward, it is held with the palm facing upward. One result is that "up-bows" tend to carry more emphasis, rather than "down-bows".
The viol da gamba (or viola da gamba) family of instruments is related to the fiddle, violin, rebec?, etc. It is fretted, has 6 strings, and is held upright, between the legs, when played. The bow is held underhand. The name viol da gamba means "viol of the leg" in Italian.

The gamba (as it is often foreshortened) comes in 4 sizes: treble, tenor, bass, and double bass. The treble is about the size of a violin; the bass is a bit smaller than a cello.

Gamba consorts were common in the 16th and 17th centuries. The bass viola da gamba continued to be used (as a solo instrument) into the 18th century; composers such as Johann Sebastian Bach and Karl Friedrich Abel wrote music for it. In the modern era, the viola da gamba has been revived by early music enthusiasts.

Removed: 3d6
Music written for the da gamba family of instruments often involves two melodies designed to harmonize with each other, rather than the more common melody and harmony.

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