[Home]History of Tracking shot

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Revision 9 . . (edit) December 6, 2001 7:19 am by Koyaanis Qatsi
Revision 8 . . December 6, 2001 6:34 am by (logged).121.110.xxx
Revision 7 . . (edit) December 6, 2001 6:33 am by (logged).121.110.xxx [*no gyros in steadicam]
Revision 6 . . November 9, 2001 8:20 am by (logged).121.110.xxx [*Steadicam]
Revision 5 . . July 6, 2001 11:41 pm by Amt
  

Difference (from prior major revision) (minor diff, author diff)

Changed: 5c5
With the invention of a harness called the Steadicam, which allows the operator to carry his camera while a set of counterweights damp the vibrations that would otherwise be caused by his walking or running, smooth hand-held work replaced dolly shots in many movies. Halloween was one of the first movies to use the Steadicam constantly.
With the invention of a harness called the Steadicam?, which allows the operator to carry his camera while a set of counterweights damp the vibrations that would otherwise be caused by his walking or running, smooth hand-held work replaced dolly shots in many movies. Halloween was one of the first movies to use the Steadicam constantly.

Changed: 9c9
Dollies are still used when precise compositions and movements are desired. Elaborate dolly shots can be seen in the work of Max Ophuls and Samuel Fuller; each, in his own way, was interested in the duration of an event. Tracking allowed them to interpret an action through various compositions without editing.
Dollies are still used when precise compositions and movements are desired. Elaborate dolly shots can be seen in the work of [Max Ophuls]? and [Samuel Fuller]?; each, in his own way, was interested in the duration of an event. Tracking allowed them to interpret an action through various compositions while filming continuously.

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