The leaders of the movement, Moreau's top students, were Henri Matisse and Albert Derain, friendly rivals of a sort, each with his own followers. The paintings, for example Matisse's 1908 La Deserte or Derain's The Two Barges, use powerful reds or other forceful colors to draw the eye. Matisse became the yang to Picasso's ying in the twentieth century while time has trapped Derain at the century's beginning, a "wild beast" forever. Their disciples included Albert Marquet, Henri Manguin, Charles Camoin, the Belgian painter Henri Evenepoel, Jean Puy, Maurice Vlaminich, Raoul Dify, Emile-Othon riesz, Georges Rouault, the Dutch painter Kees van Dorgen, and, remarkably, Georges Braque - yes, that Braque who collaborated so brilliantly with Picasso in the years following the end of fauvism.