I like the new additions--lots of good new information here. I added some more. The problem now is that the article is rambling and disorganized, and I am probably not the best person to organize and clarify it. BTW, using the word "purist," without the quotes, makes it sound as if the authors of the article are not purists, which we don't want to imply. :-) See neutral point of view. --LMS |
I like the new additions--lots of good new information here. I added some more. The problem now is that the article is rambling and disorganized, and I am probably not the best person to organize and clarify it. BTW, using the word "purist," without the quotes, makes it sound as if the authors of the article are not purists, which we don't want to imply. :-) See neutral point of view. --LMS Perhaps someone who knows the facts :-) could add in "Skiffle" music, from whence the Beatles sprang, which was evidently a British folk form in the 1950's. Certainly the Beatles stole (er, utilised!) many folk forms in their music. |
I've tried to clarify this. "Folk rock" is used very specifically and is typically far more recognised by instrumentation than form. Many folk musicians of the 60s (Tom Paxton, Phil Ochs etc) sang new, topical material (which distinguished them from traditional folk musicians) but in the folk idiom (acoustic instruments, traditional arrangements and often traditional melodies.)
Re: the comment about "marketers" in the first paragraph. If language reflects common usage, what is now called "folk music" has as much right to the name as any other form.
Gareth Owen
The deletions are merely of things that seemed redundant. Additions may solve the problem of tone mentioned above. One bit of the original puzzles me, so I corrected the grammar but left it in--but what does "unrecognizable to its source" actually mean?