[Home]History of Letterbox

HomePage | Recent Changes | Preferences

Revision 11 . . (edit) August 2, 2001 10:08 am by Koyaanis Qatsi
Revision 9 . . (edit) June 16, 2001 8:57 am by (logged).89.178.xxx
Revision 6 . . (edit) June 15, 2001 5:20 am by KoyaanisQatsi
  

Difference (from prior major revision) (minor diff, author diff)

Changed: 1c1,7
Copying widescreen film images to video in a widescreen ratio--specifically, 16:9. Often--perhaps most of the time--the video does not reproduce the compositions on the original film, instead cropping them to fit the 4:3 ratio of the television screen. This cropping typically results in the loss of about 25% of the image; but in letterboxing, the original 16:9 aspect ratio is maintained, and black bars are put at the bottom and top of the image. This formatting is generally preferred by directors, as it includes the entire image they originally shot; one exception to this preference is [Milos Forman]?, who finds the bands distracting. The point will become moot once HDTV becomes standard, as the televisions are themselves in widescreen format; the issue then will be how to deal with television shows and all the movies made before widescreen became popular in the 1950s.
Copying widescreen film images to video in a widescreen ratio--specifically, 16:9. Often--perhaps most of the time--the letterbox video does not reproduce the compositions of the original film, but the technique offers an alternative to the older pan and scan method of copying that cropped the image to suit the 4:3 ratio of the television screen.

Pan-and-scan results in the loss of about 25% of the image; but in letterboxing, the original aspect ratio is approximated, and black bars are put at the bottom and top of the image.

Some filmmakers state a preference for letterboxed videos of their work. Woody Allen's insistence on a letterboxed release of Manhattan probably inspired this treatment of other films. One exception to the preference is [Milos Forman]?, who finds the bands distracting. However, most video releases are made without consultation with either the director or director of cinematography of the film. The letterboxing is often careless, and the common 16:9 ratio does not exactly correspond to aspect ratios of the commonest widescreen systems.

HDTV, a newer digital video system with its TVs in widescreen format, is becoming the broadcast standard in the US. The wider screen will make it easier to make an accurate letterbox transfer.

HomePage | Recent Changes | Preferences
Search: