[Home]History of Lead and follow

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Revision 2 . . December 16, 2001 4:18 am by (logged).254.130.xxx [Expanded. Could probably be redirected to a subpage of some partner dancing page.]
Revision 1 . . December 1, 2001 3:41 pm by (logged).13.223.xxx
  

Difference (from prior major revision) (no other diffs)

Changed: 2,3c2,3
A lead is in control of the way the dance will go. He will decide the moves inside the dance, and how to move the follow.
The follow does what the name implies, follows the lead. To actually be able to lead and follow a connection must be established.
A lead is in control of the way the dance will go. He decides which figures or moves will be danced, and how to move the follow.
The follow does what the name implies, follows the lead. To actually be able to lead and follow a connection must be established. More advanced dancers will take many cues from each other, the follow styling her own moves as she likes within the parameters communicated by the lead, and communicating feedback to the lead which he incorporates into his own syling and leads.

Changed: 5c5,7
This is unless of course the follow steals the lead and then the roles reverse. (Advanced dancers do this more often to enhance their dance ability and to add a little fun into the dance)
Sometimes the follow even steals the lead and then the roles reverse. (Advanced swing dancers do this to enhance their dance connection and to add a little fun into the dance).

The Lead has different steps to do than the follow. The Follow generally mirrors the Lead's footwork. If the lead begins on the left foot, the follow will begin on the right foot. More rarely, as in choreographed pieces, tandem charleston and other situations where the follow is in a tandem or shadow position, the lead and follow will end up on the same foot.

Removed: 7d8
The Lead has different steps to do than the follow. The Follow mirrors the Lead's footwork. If the lead begins on the left foot, the follow will begin on the right foot. The only time this rule does not apply is in choreographed pieces or in tandem charleston where the follow will do the leads footwork from the beginning.

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