Early Girl Groups
Whilst exact definitions are of course arbitrary, it can be argued that the girl bands have a considerably longer history than boy bands, dating back to the late 1950s and the beginning of the 1960s, when they were often manufactured by producers or record companies as a vehicle for the latest work by their resident songwriters, such as the work of [Phil Spector]? and the early days of Motown? (when they were usually called "Girl Groups"). The sound of these early Girl Groups was typified by the products of Spector's Wall Of Sound production: A thick layer of intrumentation (drums, guitar, bass, a horn section and often something more exotic, such as glockenspiel) with a lead vocal, often deliberately girlish in tone, singing deceptively simple, naive lyrics which, uniquely for an art form at the time, eloquently expressed the emotions of teenagers of the time. (A case in point being The Shirelles' "Will You Still Love Me Tomorrow", which doubles as both a charming love songs and, implicitly, a portrayal of adolescent sexual mores).
Elsewhere, groups like this time, they were sometimes used in duets with the popular all-male soul vocal groups of the time. By the mid-late 1960s, in the face of the [British Invasion]? and with the increase in sophistication of popular music instigated by The Beatles and Bob Dylan, their popularity began to wane with only a few (e.g. [Martha and the Vandellas]?) making the transition to an earthier, soulful sound and some continued success.
Their popularity has waxed and waned since then, and their sounds have changed as they adopt (and occasionally help define in the popular imagination) the musical fashions of the period - as of 2001, boy bands and girl bands are very popular.
Occasionally, the term is used to describe a conventional rock group in which all the members are female and who write, arrange, and perform all their own material, but mostly the distinction is clear from context.
Some girl bands are:
See also: Boy band
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